WCCA Reactions III: The Search For Schlock
4. Speaking of RPG-based comics, Matt Summers is an interesting new contender; most of his work is RPG-based fantasy, played straight and well-executed. I'm just not into that as much as I used to be, especially when it's played straight, but I probably would have dug his stuff ten years ago.
Even back when I was editor of Graphic Smash, I would've stalked him with a harpoon gun, if only for his potential. If he makes the traditions of White Wolf and TSR his tools instead of the other way around, he could go interesting places.
That's always a big "if." I've said the same sort of thing about other people, and been disappointed when their twentieth stories looked a lot like their first ones. RPG-based comics, like superhero comics, contain an awful lot of storytelling conventions that make it easy to fall into laziness and rote. But a writer really dedicated to self-improvement can resist the pull. Exhibit A.
5. A few artists have rumbled about the ability to refuse nominations or wins. Doesn't work that way, guys, at least not any more: it's outstanding comics as determined by voters, not as determined by willingness to be honored. You can always refuse to acknowledge them, just as people refuse to accept Oscars or any other award.
I'm aware that the more popular webcartoonists also sometimes want to duck the awards because they take crap for winning, but a popular webcartoonist should not waste his life worrying about what idiots think.
6. Between Two Worlds is another interesting discovery. JJ and EL seem to be building a "color-world" the way musicians build "sound-worlds." It's an effect I've seen before, even in my own stuff (thank David Willis). It deserves an essay. I can't find such an essay on Google in five minutes, so it must not exist yet.
Tomorrow: Who wuz robbed.
Labels: Webcomics

I didn't really expect to find myself writing
Revised for the first time since 2005.

Gonna give 
All the credit for 
